“You got it buddy, the large print giveth and the small print taketh away”
― Tom Waits, Step Right Up
In the nearly 30 years I’ve been a theatre insurance broker, I’ve read many theatre insurance policies. Over those years, I’ve adopted an approach to help me determine what’s covered and what’s not, relatively quickly.
In today’s post, I thought I would share these very simple tips with you. They will make you feel more comfortable with the policy you are buying and help you form better questions when discussing the coverage with your broker or dealing with a claim.
Before we begin, it’s important to know there are four essential parts of any Theatre Insurance Policy. For the purpose of this discussion, I will be referring to a "Broad Form" type of policy (often referred to as an ‘All Risks’ policy; a terrible name by the way, as I’ve yet to see a policy that covers everything!) This type of policy has become the most common in the industry and is generally considered a broader form of coverage than a ‘Specified or Named Perils’ policy. Broad Form policies outline what type of claims you will NOT be insured against; whereas, a Specified Perils policy outlines the types of claims which are insured by the policy.
So here we go:
There will be other parts of the policy called Statutory Conditions and General Conditions. While these are important, they are generally common to most policies and can be read once you have tackled the parts I’ve listed above.
And one final tip: when it comes to making a claim under a Broad Form policy, it is your insurance company that has the responsibility to establish that one of the exclusions applies to your claim. Any ambiguity will be read in your favour as they were the ones who created the policy wording. By contrast a Named or Specified Perils policy requires YOU to demonstrate that your claim has resulted from one of the insured loss types specified in your policy.
By using these 4 simple tips you will quickly be able to understand your policy, feel more comfortable with it, and be able to ask questions that may help broaden your insurance protection.
THEATRE INSURANCE 101 / THEATRICAL INSURANCE / PERFORMING ARTS INSURANCE
MAKE A POTENTIAL DISASTER A MINOR INCONVENIENCE / THEATRE INSURANCE
BRITISH PANTOMIME AND THEATRE INSURANCE
FAMOUS STAGE DISASTERS / THEATRE INSURANCE
THEATRE INSURANCE - VENUES AND GROUPS / THEATRE COMPANY INSURANCE
4 EASY STEPS TO READING A THEATRE INSURANCE POLICY
AERIAL INSURANCE / AERIAL ARTS INSURANCE
ACTONE INSURANCE / PERFORMERS INSURANCE
DIRECTORS AND OFFICERS (D&O) INSURANCE
CAST INSURANCE FOR LIVE PERFORMERS
INSURANCE FOR BODY PARTS / BODY PART INSURANCE
PROTÉGÉ: CUSTOM INSURANCE FOR ART SCHOOLS AND ARTS EDUCATORS
SAFEGUARDING YOUR STUDENTS WITH ART SCHOOL INSURANCE PART 1
SAFEGUARDING YOUR STUDENTS WITH ART SCHOOL INSURANCE PART 2
INTIMACY COACHES IN THE THEATRE WORLD / INTIMACY DIRECTORS
SHORT-TERM THEATRE INSURANCE / PUBLIC LIABILITY INSURANCE FOR PERFORMERS