Search
Search
|
{"ab":false,"abStatus":null,"abTestId":null,"abVariation":false,"abVariationAutomated":false,"absoluteUrl":"https://www.frontrowinsurance.com/articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation","afterPostBody":null,"aifeatures":null,"allowedSlugConflict":false,"analytics":null,"analyticsPageId":"137640-107690","analyticsPageType":"blog-post","approvalStatus":null,"archived":false,"archivedAt":0,"archivedInDashboard":false,"areCommentsAllowed":true,"attachedStylesheets":[],"audienceAccess":"PUBLIC","author":null,"authorName":null,"authorUsername":null,"blogAuthor":{"avatar":"","bio":"","cdnPurgeEmbargoTime":null,"cosObjectType":"BLOG_AUTHOR","created":1401900296000,"deletedAt":0,"displayName":"David Hamilton","email":"david@frontrowinsurance.com","facebook":"","fullName":"David Hamilton","gravatarUrl":"https://app.hubspot.com/settings/avatar/e5f627d6f4fb7738af400df9b2f0d390","hasSocialProfiles":false,"id":952267721,"label":"David Hamilton","language":null,"linkedin":"","name":"David Hamilton","portalId":61352,"slug":"david-hamilton","translatedFromId":null,"translations":{},"twitter":"","twitterUsername":"","updated":1401900296000,"userId":null,"username":"david@frontrowinsurance.com","website":""},"blogAuthorId":952267721,"blogPostAuthor":{"avatar":"","bio":"","cdnPurgeEmbargoTime":null,"cosObjectType":"BLOG_AUTHOR","created":1401900296000,"deletedAt":0,"displayName":"David Hamilton","email":"david@frontrowinsurance.com","facebook":"","fullName":"David Hamilton","gravatarUrl":"https://app.hubspot.com/settings/avatar/e5f627d6f4fb7738af400df9b2f0d390","hasSocialProfiles":false,"id":952267721,"label":"David Hamilton","language":null,"linkedin":"","name":"David Hamilton","portalId":61352,"slug":"david-hamilton","translatedFromId":null,"translations":{},"twitter":"","twitterUsername":"","updated":1401900296000,"userId":null,"username":"david@frontrowinsurance.com","website":""},"blogPostScheduleTaskUid":null,"blogPublishInstantEmailCampaignId":null,"blogPublishInstantEmailRetryCount":0,"blogPublishInstantEmailTaskUid":"DONE","blogPublishToSocialMediaTask":"DONE","blueprintTypeId":0,"businessUnitId":null,"campaign":"","campaignName":null,"campaignUtm":null,"category":3,"categoryId":3,"cdnPurgeEmbargoTime":null,"checkPostLevelAudienceAccessFirst":true,"clonedFrom":null,"composeBody":null,"compositionId":0,"contentAccessRuleIds":[],"contentAccessRuleTypes":[],"contentGroup":952267656,"contentGroupId":952267656,"contentTypeCategory":3,"contentTypeCategoryId":3,"contentTypeId":null,"created":1343069429000,"createdByAgent":null,"createdById":null,"createdTime":1343069429000,"crmObjectId":null,"css":{},"cssText":"","ctaClicks":null,"ctaViews":null,"currentState":"PUBLISHED","currentlyPublished":true,"deletedAt":0,"deletedBy":null,"deletedByEmail":null,"deletedById":null,"domain":"","dynamicPageDataSourceId":null,"dynamicPageDataSourceType":null,"dynamicPageHubDbTableId":null,"enableDomainStylesheets":null,"enableGoogleAmpOutputOverride":false,"enableLayoutStylesheets":null,"errors":[],"featuredImage":"","featuredImageAltText":"","featuredImageHeight":0,"featuredImageLength":0,"featuredImageWidth":0,"flexAreas":{},"folderId":null,"footerHtml":"","freezeDate":1343070360000,"generateJsonLdEnabledOverride":true,"hasContentAccessRules":false,"hasUserChanges":true,"headHtml":"","header":null,"htmlTitle":"E&O Insurance for your Film Production: Preventing Litigation","id":951503928,"includeDefaultCustomCss":null,"isCaptchaRequired":true,"isCrawlableByBots":false,"isDraft":false,"isInstanceLayoutPage":false,"isInstantEmailEnabled":true,"isPublished":true,"isSocialPublishingEnabled":false,"keywords":[{"campaigns":[],"contacts":0,"country":0,"created_at":1314849600000,"keyword":"producers e&o","keyword_guid":"83291ebc-5250-4af8-9594-94f5bcd48392","leads":0,"visits":0},{"campaigns":[],"contacts":0,"country":0,"created_at":1314849600000,"keyword":"television errors and omissions insurance","keyword_guid":"f20a351e-98b5-4ef0-bdc8-836a73d9118c","leads":0,"visits":0},{"campaigns":[],"contacts":0,"country":0,"created_at":1314849600000,"keyword":"errors and omissions insurance media","keyword_guid":"5debeff8-f813-4fca-b520-e3a3fd498055","leads":0,"visits":0}],"label":"<span id=\"hs_cos_wrapper_name\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"text\" >E&O Insurance for your Film Production: Preventing Litigation</span>","language":"en","lastEditSessionId":null,"lastEditUpdateId":null,"layoutSections":{},"legacyBlogTabid":137640,"legacyId":107690,"legacyPostGuid":"967560b1-1cc2-47db-9cc2-134579bcdc7a","linkRelCanonicalUrl":"","listTemplate":"prox_frontrow/templates/blog/blog-listing.html","liveDomain":"www.frontrowinsurance.com","mab":false,"mabExperimentId":null,"mabMaster":false,"mabVariant":false,"meta":{"enable_google_amp_output_override":false,"generate_json_ld_enabled":true,"post_body":"<span id=\"hs_cos_wrapper_post_body\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_rich_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"rich_text\" ><div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n<!--more-->\n<p>The author is an attorney who has spent a considerable amount of time working with the Canadian film and television industry. She has represented international film insurance companies for over 30 years.</p>\n<p>Also discussed in the article: <a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\"><em>Overview of Clearance Procedures</em></a></p>\n<ul>\n<li>Standard Film and TV Clearance Procedures</li>\n<li>Docu-dramas</li>\n<li><a href=\"/articles/eo-are-there-different-things-needed-for-a-documentary-vs.-a-drama\" rel=\"noopener\">Documentaries</a></li>\n<li><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use: Criticism and Parody</a></li>\n<li>Minimizing The Risk Of <a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright</a> and Submission Claims</li>\n<li>Companion Materials, The Digital Age and More</li>\n</ul>\n<p>&nbsp;</p>\n<p>&nbsp;</p>\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\">Clearance Procedures</a></p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p>A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</p>\n</div></span>","post_summary":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n</div>","blog_post_schedule_task_uid":null,"blog_publish_to_social_media_task":"DONE","blog_publish_instant_email_task_uid":"DONE","blog_publish_instant_email_campaign_id":null,"blog_publish_instant_email_retry_count":0,"rss_body":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n<!--more-->\n<p>The author is an attorney who has spent a considerable amount of time working with the Canadian film and television industry. She has represented international film insurance companies for over 30 years.</p>\n<p>Also discussed in the article: <a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\"><em>Overview of Clearance Procedures</em></a></p>\n<ul>\n<li>Standard Film and TV Clearance Procedures</li>\n<li>Docu-dramas</li>\n<li><a href=\"/articles/eo-are-there-different-things-needed-for-a-documentary-vs.-a-drama\" rel=\"noopener\">Documentaries</a></li>\n<li><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use: Criticism and Parody</a></li>\n<li>Minimizing The Risk Of <a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright</a> and Submission Claims</li>\n<li>Companion Materials, The Digital Age and More</li>\n</ul>\n<p>&nbsp;</p>\n<p>&nbsp;</p>\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\">Clearance Procedures</a></p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p>A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</p>\n</div>","rss_summary":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n</div>","keywords":[{"campaigns":[],"contacts":0,"country":0,"created_at":1314849600000,"keyword":"producers e&o","keyword_guid":"83291ebc-5250-4af8-9594-94f5bcd48392","leads":0,"visits":0},{"campaigns":[],"contacts":0,"country":0,"created_at":1314849600000,"keyword":"television errors and omissions insurance","keyword_guid":"f20a351e-98b5-4ef0-bdc8-836a73d9118c","leads":0,"visits":0},{"campaigns":[],"contacts":0,"country":0,"created_at":1314849600000,"keyword":"errors and omissions insurance media","keyword_guid":"5debeff8-f813-4fca-b520-e3a3fd498055","leads":0,"visits":0}],"composition_id":0,"is_crawlable_by_bots":false,"tag_ids":[949708814,949708924],"topic_ids":[949708814,949708924],"html_title":"E&O Insurance for your Film Production: Preventing Litigation","public_access_rules":[],"public_access_rules_enabled":false,"use_featured_image":false,"published_at":1675372135312,"head_html":"","footer_html":"","attached_stylesheets":[],"enable_domain_stylesheets":null,"include_default_custom_css":null,"layout_sections":{},"meta_description":"FREE report: A production lawyer's guide to obtaining E&O insurance and preventing litigation.","meta_keywords":"E&O, E&O Insurance, E&O insurance for Films, Entertainment Insurance, Entertainment Insurance Broker, Producers E&O Insurance, Producers Errors & Omissions Liability Insurance, Producers Errors and Omissions Insurance,","featured_image":"","featured_image_alt_text":"","featured_image_width":0,"featured_image_height":0,"publish_timezone_offset":null,"theme_settings_values":null,"past_mab_experiment_ids":[],"deleted_by":null,"password":null,"header":null,"enable_layout_stylesheets":null,"tweet":null,"tweet_at":null,"campaign_name":null,"campaign_utm":null,"tweet_immediately":false,"publish_immediately":false,"security_state":"NONE","scheduled_update_date":0,"placement_guids":["0c6272a2-fc18-4a03-b57d-c66dd8dd65a9"],"property_for_dynamic_page_title":null,"property_for_dynamic_page_slug":null,"property_for_dynamic_page_meta_description":null,"property_for_dynamic_page_featured_image":null,"property_for_dynamic_page_canonical_url":null,"preview_image_src":null,"legacy_blog_tabid":137640,"legacy_post_guid":"967560b1-1cc2-47db-9cc2-134579bcdc7a","performable_variation_letter":null,"style_override_id":null,"has_user_changes":true,"css":{},"css_text":"","unpublished_at":0,"published_by_id":7915797,"allowed_slug_conflict":false,"ai_features":null,"link_rel_canonical_url":"","page_redirected":false,"page_expiry_enabled":null,"page_expiry_date":null,"page_expiry_redirect_id":null,"page_expiry_redirect_url":null,"deleted_by_id":null,"state_when_deleted":null,"cloned_from":null,"staged_from":null,"personas":[],"compose_body":null,"last_edit_session_id":null,"last_edit_update_id":null,"created_by_agent":null},"metaDescription":"FREE report: A production lawyer's guide to obtaining E&O insurance and preventing litigation.","metaKeywords":"E&O, E&O Insurance, E&O insurance for Films, Entertainment Insurance, Entertainment Insurance Broker, Producers E&O Insurance, Producers Errors & Omissions Liability Insurance, Producers Errors and Omissions Insurance,","name":"<span id=\"hs_cos_wrapper_name\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"text\" >E&O Insurance for your Film Production: Preventing Litigation</span>","nextPostFeaturedImage":"https://61352.fs1.hubspotusercontent-na1.net/hubfs/61352/images/eando/distributor-forweb.jpg","nextPostFeaturedImageAltText":"Distributor's Errors and Omissions (E&O) Insurance","nextPostName":"Distributor's Errors and Omissions (E&O) Insurance","nextPostSlug":"articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance","pageExpiryDate":null,"pageExpiryEnabled":null,"pageExpiryRedirectId":null,"pageExpiryRedirectUrl":null,"pageRedirected":false,"pageTitle":"E&O Insurance for your Film Production: Preventing Litigation","parentBlog":{"absoluteUrl":"https://www.frontrowinsurance.com/articles","allowComments":true,"ampBodyColor":"#404040","ampBodyFont":"'Helvetica Neue', Helvetica, Arial, sans-serif","ampBodyFontSize":"18","ampCustomCss":"","ampHeaderBackgroundColor":"#ffffff","ampHeaderColor":"#1e1e1e","ampHeaderFont":"'Helvetica Neue', Helvetica, Arial, sans-serif","ampHeaderFontSize":"36","ampLinkColor":"#416bb3","ampLogoAlt":"Front Row Insurance logo","ampLogoHeight":63,"ampLogoSrc":"https://cdn2.hubspot.net/hubfs/61352/front-row-logo.png","ampLogoWidth":175,"analyticsPageId":137640,"attachedStylesheets":[],"audienceAccess":"PUBLIC","businessUnitId":null,"captchaAfterDays":7,"captchaAlways":false,"categoryId":3,"cdnPurgeEmbargoTime":null,"closeCommentsOlder":0,"commentDateFormat":"medium","commentFormGuid":"7a447743-bbf2-4b55-a759-b405bf392a7d","commentMaxThreadDepth":3,"commentModeration":true,"commentNotificationEmails":["mike@frontrowinsurance.com","grant@frontrowinsurance.com"],"commentShouldCreateContact":true,"commentVerificationText":"","cosObjectType":"BLOG","created":1401900293000,"createdDateTime":1401900293000,"dailyNotificationEmailId":"952268096","dateFormattingLanguage":"en_US","defaultGroupStyleId":"","defaultNotificationFromName":"","defaultNotificationReplyTo":"","deletedAt":0,"description":"The Front Row Insurance Blog where you can learn and converse about all things entertainment insurance related.","domain":"","domainWhenPublished":"www.frontrowinsurance.com","emailApiSubscriptionId":283237,"enableGoogleAmpOutput":true,"enableSocialAutoPublishing":false,"generateJsonLdEnabled":false,"header":null,"htmlFooter":"<!-- DELTA-->","htmlFooterIsShared":false,"htmlHead":"<!-- Blog Schema by Front Row Insurance // https://www.frontrowinsurance.com/ -->\n\n<script type=\"application/ld+json\">\n {\n \"@context\": \"http://schema.org\",\n \"@type\": \"BlogPosting\",\n \"mainEntityOfPage\":{\n \"@type\":\"WebPage\",\n \"@id\":\"https://www.frontrowinsurance.com/articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation\"\n },\n \"headline\": \"E&O Insurance for your Film Production: Preventing Litigation\",\n \"image\": {\n \"@type\": \"ImageObject\",\n \"url\": \"\"\n },\n \"datePublished\": \"2012-07-23 19:06:00\",\n \"dateModified\": \"\",\n \"author\": {\n \"@type\": \"Person\",\n \"name\": \"') }}\"\n },\n \"publisher\": {\n \"@type\": \"Organization\",\n \"name\": \"FRONT ROW INSURANCE BROKERS\",\n \"logo\": {\n \"@type\": \"ImageObject\",\n \"url\": \"https://cdn2.hubspot.net/hubfs/61352/images/Logos/FR_logo_%5BConverted,-Inverted%5D.png\"\n }\n },\n \"description\": \"FREE report: A production lawyer's guide to obtaining E&O insurance and preventing litigation.\"\n }\n </script>\n <!-- End Schema --> \n<script type=\"text/javascript\">\n window._mNHandle = window._mNHandle || {};\n window._mNHandle.queue = window._mNHandle.queue || [];\n medianet_versionId = \"3121199\";\n</script>\n<script src=\"https://contextual.media.net/dmedianet.js?cid=8CU76IWTZ\" async=\"async\"></script>","htmlHeadIsShared":true,"htmlKeywords":["Front Row Insurance Blog"," entertainment blog"," film blog"," film insurance"," event insurance"," film festival blog"," production blog"," musicians blog"," "],"htmlTitle":"The Front Row View (entertainment insurance blog)","id":952267656,"ilsSubscriptionListsByType":{"daily":443,"instant":442,"monthly":441,"weekly":444},"instantNotificationEmailId":"952268061","itemLayoutId":null,"itemTemplateIsShared":false,"itemTemplatePath":"prox_frontrow/templates/blog/blog-post.html","label":"The Front Row View (entertainment insurance blog)","language":"en","legacyGuid":"469ce2ec-4dd9-442d-984a-3bab2557a02f","legacyModuleId":"164112","legacyTabId":137640,"listingLayoutId":null,"listingPageId":70026589976,"listingTemplatePath":"prox_frontrow/templates/blog/blog-listing.html","liveDomain":"www.frontrowinsurance.com","monthFilterFormat":"MMMM yyyy","monthlyNotificationEmailId":"952267981","name":"The Front Row View (entertainment insurance blog)","parentBlogUpdateTaskId":null,"portalId":61352,"postHtmlFooter":"<!-- OMEGA-->","postHtmlHead":"<!-- Blog Schema by Front Row Insurance // https://www.frontrowinsurance.com/ -->\n\n<script type=\"application/ld+json\">\n {\n \"@context\": \"http://schema.org\",\n \"@type\": \"BlogPosting\",\n \"mainEntityOfPage\":{\n \"@type\":\"WebPage\",\n \"@id\":\"https://www.frontrowinsurance.com/articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation\"\n },\n \"headline\": \"E&O Insurance for your Film Production: Preventing Litigation\",\n \"image\": {\n \"@type\": \"ImageObject\",\n \"url\": \"\"\n },\n \"datePublished\": \"2012-07-23 19:06:00\",\n \"dateModified\": \"\",\n \"author\": {\n \"@type\": \"Person\",\n \"name\": \"') }}\"\n },\n \"publisher\": {\n \"@type\": \"Organization\",\n \"name\": \"FRONT ROW INSURANCE BROKERS\",\n \"logo\": {\n \"@type\": \"ImageObject\",\n \"url\": \"https://cdn2.hubspot.net/hubfs/61352/images/Logos/FR_logo_%5BConverted,-Inverted%5D.png\"\n }\n },\n \"description\": \"FREE report: A production lawyer's guide to obtaining E&O insurance and preventing litigation.\"\n }\n </script>\n <!-- End Schema --> \n<script type=\"text/javascript\">\n window._mNHandle = window._mNHandle || {};\n window._mNHandle.queue = window._mNHandle.queue || [];\n medianet_versionId = \"3121199\";\n</script>\n<script src=\"https://contextual.media.net/dmedianet.js?cid=8CU76IWTZ\" async=\"async\"></script>","postsPerListingPage":10,"postsPerRssFeed":10,"publicAccessRules":[],"publicAccessRulesEnabled":false,"publicTitle":"The Front Row View (entertainment insurance blog)","publishDateFormat":"medium","resolvedDomain":"www.frontrowinsurance.com","rootUrl":"https://www.frontrowinsurance.com/articles","rssCustomFeed":"","rssDescription":"RSS feeds for ","rssItemFooter":"<IMG style=\"WIDTH: 144px; HEIGHT: 78px\" title=\"\" border=0 alt=\"\" align=center src=\"http://focusinsurance.web6.hubspot.com/Portals/61352/images//logo_final.jpg\" width=138 height=78 mce_src=\"/Portals/61352/images//logo_final.jpg\">","rssItemHeader":"","settingsOverrides":{"itemLayoutId":false,"itemTemplatePath":false,"itemTemplateIsShared":false,"listingLayoutId":false,"listingTemplatePath":false,"postsPerListingPage":false,"showSummaryInListing":false,"useFeaturedImageInSummary":false,"htmlHead":false,"postHtmlHead":false,"htmlHeadIsShared":false,"htmlFooter":false,"listingPageHtmlFooter":false,"postHtmlFooter":false,"htmlFooterIsShared":false,"attachedStylesheets":false,"postsPerRssFeed":false,"showSummaryInRss":false,"showSummaryInEmails":false,"showSummariesInEmails":false,"allowComments":false,"commentShouldCreateContact":false,"commentModeration":false,"closeCommentsOlder":false,"commentNotificationEmails":false,"commentMaxThreadDepth":false,"commentVerificationText":false,"socialAccountTwitter":false,"showSocialLinkTwitter":false,"showSocialLinkLinkedin":false,"showSocialLinkFacebook":false,"enableGoogleAmpOutput":false,"ampLogoSrc":false,"ampLogoHeight":false,"ampLogoWidth":false,"ampLogoAlt":false,"ampHeaderFont":false,"ampHeaderFontSize":false,"ampHeaderColor":false,"ampHeaderBackgroundColor":false,"ampBodyFont":false,"ampBodyFontSize":false,"ampBodyColor":false,"ampLinkColor":false,"generateJsonLdEnabled":false},"showSocialLinkFacebook":true,"showSocialLinkLinkedin":true,"showSocialLinkTwitter":true,"showSummaryInEmails":true,"showSummaryInListing":false,"showSummaryInRss":true,"siteId":0,"slug":"articles","socialAccountTwitter":"","state":null,"subscriptionContactsProperty":"blog_blog_the_front_row_view_subscription","subscriptionEmailType":null,"subscriptionFormGuid":"a2c254df-2214-4c54-bd51-46da1e3029fb","subscriptionListsByType":{"daily":12,"instant":11,"monthly":10,"weekly":13},"title":null,"translatedFromId":null,"translations":{"fr":{"absoluteUrl":"https://www.frontrowinsurance.com/fr/blogue","id":2471031463,"language":"fr","masterId":952267656,"name":"The Front Row View (entertainment insurance blog)","publicAccessRules":[],"publicAccessRulesEnabled":false,"slug":"fr/blogue"}},"updated":1693318083281,"updatedDateTime":1693318083281,"urlBase":"www.frontrowinsurance.com/articles","urlSegments":{},"useFeaturedImageInSummary":true,"usesDefaultTemplate":false,"weeklyNotificationEmailId":"952268106"},"password":null,"pastMabExperimentIds":[],"performableGuid":"","performableVariationLetter":null,"personas":[],"placementGuids":["0c6272a2-fc18-4a03-b57d-c66dd8dd65a9"],"portableKey":null,"portalId":61352,"position":null,"postBody":"<span id=\"hs_cos_wrapper_post_body\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_rich_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"rich_text\" ><div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n<!--more-->\n<p>The author is an attorney who has spent a considerable amount of time working with the Canadian film and television industry. She has represented international film insurance companies for over 30 years.</p>\n<p>Also discussed in the article: <a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\"><em>Overview of Clearance Procedures</em></a></p>\n<ul>\n<li>Standard Film and TV Clearance Procedures</li>\n<li>Docu-dramas</li>\n<li><a href=\"/articles/eo-are-there-different-things-needed-for-a-documentary-vs.-a-drama\" rel=\"noopener\">Documentaries</a></li>\n<li><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use: Criticism and Parody</a></li>\n<li>Minimizing The Risk Of <a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright</a> and Submission Claims</li>\n<li>Companion Materials, The Digital Age and More</li>\n</ul>\n<p>&nbsp;</p>\n<p>&nbsp;</p>\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\">Clearance Procedures</a></p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p>A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</p>\n</div></span>","postBodyRss":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n<!--more-->\n<p>The author is an attorney who has spent a considerable amount of time working with the Canadian film and television industry. She has represented international film insurance companies for over 30 years.</p>\n<p>Also discussed in the article: <a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\"><em>Overview of Clearance Procedures</em></a></p>\n<ul>\n<li>Standard Film and TV Clearance Procedures</li>\n<li>Docu-dramas</li>\n<li><a href=\"/articles/eo-are-there-different-things-needed-for-a-documentary-vs.-a-drama\" rel=\"noopener\">Documentaries</a></li>\n<li><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use: Criticism and Parody</a></li>\n<li>Minimizing The Risk Of <a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright</a> and Submission Claims</li>\n<li>Companion Materials, The Digital Age and More</li>\n</ul>\n<p>&nbsp;</p>\n<p>&nbsp;</p>\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\">Clearance Procedures</a></p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p>A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</p>\n</div>","postEmailContent":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n</div>","postFeaturedImageIfEnabled":"","postListContent":"<span id=\"hs_cos_wrapper_post_body\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_rich_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"rich_text\" ><div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n<!--more-->\n<p>The author is an attorney who has spent a considerable amount of time working with the Canadian film and television industry. She has represented international film insurance companies for over 30 years.</p>\n<p>Also discussed in the article: <a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\"><em>Overview of Clearance Procedures</em></a></p>\n<ul>\n<li>Standard Film and TV Clearance Procedures</li>\n<li>Docu-dramas</li>\n<li><a href=\"/articles/eo-are-there-different-things-needed-for-a-documentary-vs.-a-drama\" rel=\"noopener\">Documentaries</a></li>\n<li><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use: Criticism and Parody</a></li>\n<li>Minimizing The Risk Of <a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright</a> and Submission Claims</li>\n<li>Companion Materials, The Digital Age and More</li>\n</ul>\n<p>&nbsp;</p>\n<p>&nbsp;</p>\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\">Clearance Procedures</a></p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p>A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</p>\n</div></span>","postListSummaryFeaturedImage":"","postRssContent":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n</div>","postRssSummaryFeaturedImage":"","postSummary":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n</div>","postSummaryRss":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n</div>","postTemplate":"prox_frontrow/templates/blog/blog-post.html","previewImageSrc":null,"previewKey":"i2QeJ_Et","previousPostFeaturedImage":"https://61352.fs1.hubspotusercontent-na1.net/hubfs/61352/blog-image-uploads/stunt%20insurance/STUNTS-FORWEB.jpg","previousPostFeaturedImageAltText":"Stunts on film set: Insuring Stunts & SPFX","previousPostName":"8 Ways To Save Money When Insuring Stunts & SPFX","previousPostSlug":"articles/articles/bid/103864/8-ways-to-save-money-when-insuring-stunts-spfx","processingStatus":"PUBLISHED","propertyForDynamicPageCanonicalUrl":null,"propertyForDynamicPageFeaturedImage":null,"propertyForDynamicPageMetaDescription":null,"propertyForDynamicPageSlug":null,"propertyForDynamicPageTitle":null,"publicAccessRules":[],"publicAccessRulesEnabled":false,"publishDate":1343070360000,"publishDateLocalTime":1343070360000,"publishDateLocalized":{"date":1343070360000,"format":"medium","language":"en_US"},"publishImmediately":false,"publishTimezoneOffset":null,"publishedAt":1675372135312,"publishedByEmail":null,"publishedById":7915797,"publishedByName":null,"publishedUrl":"https://www.frontrowinsurance.com/articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation","resolvedDomain":"www.frontrowinsurance.com","resolvedLanguage":null,"rssBody":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n<!--more-->\n<p>The author is an attorney who has spent a considerable amount of time working with the Canadian film and television industry. She has represented international film insurance companies for over 30 years.</p>\n<p>Also discussed in the article: <a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\"><em>Overview of Clearance Procedures</em></a></p>\n<ul>\n<li>Standard Film and TV Clearance Procedures</li>\n<li>Docu-dramas</li>\n<li><a href=\"/articles/eo-are-there-different-things-needed-for-a-documentary-vs.-a-drama\" rel=\"noopener\">Documentaries</a></li>\n<li><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use: Criticism and Parody</a></li>\n<li>Minimizing The Risk Of <a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright</a> and Submission Claims</li>\n<li>Companion Materials, The Digital Age and More</li>\n</ul>\n<p>&nbsp;</p>\n<p>&nbsp;</p>\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\">Clearance Procedures</a></p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p>A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</p>\n</div>","rssSummary":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n</div>","rssSummaryFeaturedImage":"","scheduledUpdateDate":0,"screenshotPreviewTakenAt":1732741734397,"screenshotPreviewUrl":"https://cdn1.hubspot.net/hubshotv3/prod/e/0/69e20ef6-9b11-4d72-bd3b-0db3eeb65585.png","sections":{},"securityState":"NONE","siteId":0,"slug":"articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation","stagedFrom":null,"state":"PUBLISHED","stateWhenDeleted":null,"structuredContentPageType":null,"structuredContentType":null,"styleOverrideId":null,"subcategory":"legacy_blog_post","syncedWithBlogRoot":true,"tagIds":[949708814,949708924],"tagList":[{"categoryId":0,"cdnPurgeEmbargoTime":null,"contentIds":[],"cosObjectType":"TAG","created":1401901719000,"deletedAt":0,"description":"","id":949708814,"label":"Film insurance broker","language":"en","name":"Film insurance broker","portalId":61352,"slug":"film-insurance-broker","translatedFromId":null,"translations":{},"updated":1649863451156},{"categoryId":0,"cdnPurgeEmbargoTime":null,"contentIds":[],"cosObjectType":"TAG","created":1401901730000,"deletedAt":0,"description":"","id":949708924,"label":"Film producer's E&O insurance","language":"en","name":"Film producer's E&O insurance","portalId":61352,"slug":"film-producers-eo-insurance","translatedFromId":null,"translations":{},"updated":1666892193369}],"tagNames":["Film insurance broker","Film producer's E&O insurance"],"teamPerms":[],"templatePath":"","templatePathForRender":"prox_frontrow/templates/blog/blog-post.html","textToAudioFileId":null,"textToAudioGenerationRequestId":null,"themePath":null,"themeSettingsValues":null,"title":"E&O Insurance for your Film Production: Preventing Litigation","tmsId":null,"topicIds":[949708814,949708924],"topicList":[{"categoryId":0,"cdnPurgeEmbargoTime":null,"contentIds":[],"cosObjectType":"TAG","created":1401901719000,"deletedAt":0,"description":"","id":949708814,"label":"Film insurance broker","language":"en","name":"Film insurance broker","portalId":61352,"slug":"film-insurance-broker","translatedFromId":null,"translations":{},"updated":1649863451156},{"categoryId":0,"cdnPurgeEmbargoTime":null,"contentIds":[],"cosObjectType":"TAG","created":1401901730000,"deletedAt":0,"description":"","id":949708924,"label":"Film producer's E&O insurance","language":"en","name":"Film producer's E&O insurance","portalId":61352,"slug":"film-producers-eo-insurance","translatedFromId":null,"translations":{},"updated":1666892193369}],"topicNames":["Film insurance broker","Film producer's E&O insurance"],"topics":[949708814,949708924],"translatedContent":{},"translatedFromId":null,"translations":{},"tweet":null,"tweetAt":null,"tweetImmediately":false,"unpublishedAt":0,"updated":1675372135326,"updatedById":7915797,"upsizeFeaturedImage":false,"url":"https://www.frontrowinsurance.com/articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation","useFeaturedImage":false,"userPerms":[],"views":0,"visibleToAll":null,"widgetContainers":{"Sidebar_Modules":{"deleted_at":1562941054973,"widgets":[{"body":{"overrideable":false,"response_message":"Thanks for Subscribing!","select_blog":"default","title":"Subscribe to Email Updates"},"child_css":{},"css":{},"deleted_at":1562941054973,"id":1489018660038,"label":"Blog Email Subscription","order":0,"type":"blog_subscribe"}]}},"widgetcontainers":{},"widgets":{"google_search":{"body":{"prefill_input_with_pathname":false,"search_button_text":"Search","search_field_label":"Search"},"child_css":{},"css":{},"deleted_at":1562941054973,"id":"google_search","label":"google_search","name":"google_search","smart_type":null,"type":"google_search"},"menu_footer_primary":{"body":{},"child_css":{},"css":{},"deleted_at":1562941054973,"id":"menu_footer_primary","label":"Menu Footer Primary","name":"menu_footer_primary","smart_type":null,"type":"menu"},"menu_footer_sector_categories":{"body":{},"child_css":{},"css":{},"deleted_at":1562941054973,"id":"menu_footer_sector_categories","label":"Menu Footer Sector Categories","name":"menu_footer_sector_categories","smart_type":null,"type":"menu"},"menu_header_all_sectors":{"body":{},"child_css":{},"css":{},"deleted_at":1562941054973,"id":"menu_header_all_sectors","label":"Menu Header All Sectors","name":"menu_header_all_sectors","smart_type":null,"type":"menu"},"menu_header_primary":{"body":{},"child_css":{},"css":{},"deleted_at":1562941054973,"id":"menu_header_primary","label":"Menu Header Primary","name":"menu_header_primary","smart_type":null,"type":"menu"},"menu_header_sector_categories":{"body":{},"child_css":{},"css":{},"deleted_at":1562941054973,"id":"menu_header_sector_categories","label":"Menu Header Sector Categories","name":"menu_header_sector_categories","smart_type":null,"type":"menu"},"module_156398965931111":{"body":{"definition_id":null,"module_id":8696351,"path":"/Marketplace/HubSpot/Team_Member/Team Member","per_widget_wrapper_html":"","smart_objects":null,"smart_type":"NOT_SMART","tag":"module","type":"module","widget_name":"Team Member","wrapping_html":""},"child_css":{},"css":{},"deleted_at":1649694686905,"id":"module_156398965931111","label":"Team Member","module_id":8696351,"name":"module_156398965931111","order":9,"smart_type":null,"type":"module"}}}

E&O Insurance for your Film Production: Preventing Litigation

July 23, 2012 • David Hamilton

A production lawyer's guide to obtaining E&O insurance

FREE report: A production lawyer's guide to obtaining E&O insurance and preventing litigation.

This comprehensive PDF report is an excellent introduction to what is and what is not covered by a film producer's E&O insurance policy.

The author is an attorney who has spent a considerable amount of time working with the Canadian film and television industry. She has represented international film insurance companies for over 30 years.

Also discussed in the article: Overview of Clearance Procedures

 Created on 07/23/12 at 14:58:48

 

RELATED LINKS:

E&O Insurance 101 & How to Protect Your Film Project

E&O: What You Need to Know

E&O: Cost

Are you paying for the coverage you need?

Steps to Obtain

Producer Errors and Omissions

E&O: Reviewing Scripts

Distributor Errors and Omissions

Documentary E&O Insurance

Copyright Reports

How much of your film is copyright-able?

Copyright Infringements

Title Reports

Script Clearance Reports

Clearance Procedures

Claims Made vs. Occurrence

Fair Use

False Light Accusations

The value of a lawyer

To get or not get permission: The Social Network

A production lawyer's guide to obtaining E&O insurance and preventing litigation
Topics: Film insurance broker, Film producer's E&O insurance

Submit a comment

Browse by topic
Related Posts