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Generated by ClassySchema.org on Thu, 29 Jun 2023 19:11:55 GMT -->\n<script type=\"application/ld+json\">\n{\n\t\"@context\": \"https://schema.org\",\n\t\"@type\": \"VideoObject\",\n\t\"name\": \"How can a film composer/producer avoid copyright infringement for music used in a film production?\",\n\t\"description\": \"Get a quote for producer's E&O insurance here: https://www.frontrowinsurance.com/en/sectors/e-o-insuranceEdwards Creative Law YouTube: https://www.youtube.co...\",\n\t\"thumbnailUrl\": \"https://i.ytimg.com/vi/gf6s19C4WRA/mqdefault.jpg\",\n\t\"duration\": \"PT2M18S\",\n\t\"contentUrl\": \"https://www.youtube.com/watch?v=gf6s19C4WRA\",\n\t\"embedUrl\": \"https://www.youtube.com/embed/gf6s19C4WRA\",\n\t\"uploadDate\": \"2023-05-29\",\n\t\"potentialAction\": {\n\t\t\"@type\": \"SeekToAction\",\n\t\t\"target\": \"https://youtu.be/gf6s19C4WRA?t={seek_to_second_number}\",\n\t\t\"startOffset-input\": \"required name=seek_to_second_number\"\n\t}\n}\n</script>\n<!-- END - Generated by ClassySchema.org-->","header":null,"htmlTitle":"How can a film composer or film producer avoid copyright infringement for music?","id":122846680729,"includeDefaultCustomCss":null,"isCaptchaRequired":true,"isCrawlableByBots":false,"isDraft":false,"isInstanceLayoutPage":false,"isInstantEmailEnabled":true,"isPublished":true,"isSocialPublishingEnabled":false,"keywords":[],"label":"<span id=\"hs_cos_wrapper_name\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"text\" >How can a film composer or film producer avoid copyright infringement for music?</span>","language":"en","lastEditSessionId":null,"lastEditUpdateId":null,"layoutSections":{},"legacyBlogTabid":null,"legacyId":null,"legacyPostGuid":null,"linkRelCanonicalUrl":"","listTemplate":"prox_frontrow/templates/blog/blog-listing.html","liveDomain":"www.frontrowinsurance.com","mab":false,"mabExperimentId":null,"mabMaster":false,"mabVariant":false,"meta":{"html_title":"How can a film composer or film producer avoid copyright infringement for music?","public_access_rules":[],"public_access_rules_enabled":false,"enable_google_amp_output_override":false,"generate_json_ld_enabled":true,"composition_id":0,"is_crawlable_by_bots":false,"use_featured_image":true,"post_summary":"<h2>How can a film composer/producer avoid copyright infringement for music used in a film production?</h2>\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px; margin: 0px auto; display: block;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" xml=\"lang\" src=\"https://www.youtube.com/embed/gf6s19C4WRA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen data-service=\"youtube\"></iframe></div>\n</div>\n","post_body":"<span id=\"hs_cos_wrapper_post_body\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_rich_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"rich_text\" ><h2>How can a film composer/producer avoid copyright infringement for music used in a film production?</h2>\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px; margin: 0px auto; display: block;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" xml=\"lang\" src=\"https://www.youtube.com/embed/gf6s19C4WRA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen data-service=\"youtube\"></iframe></div>\n</div>\n<!--more-->\n<p><strong><br>Byron Pascoe</strong>: The way to avoid copyright infringement with respect to music in productions is to <em>not infringe someone’s copyright; i.e.,</em> to create original music. It’s as simple as that. There are only so many keys, chords, and options with respect to music, but as a producer, you’ll want to ensure that if you’re hiring someone to create music, that they’re not copying from other people; that they’re creating original work that’s based on some form of skill and judgment, it’s original to them or the people you’re hiring collectively, and it’s not copying other works.</p>\n<p>If a producer receives notice from another lawyer or artist or manager that the music in that person’s production infringes upon another person’s rights, they should contact their lawyer, and the lawyer should quickly thereafter contact the film insurance broker. <a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\"noopener\">The lawyer’s role</a> would be to review the situation, see if it’s frivolous or legitimate<span style=\"font-style: italic;\">; e.g.,</span> it may be that there was a creative collaborator and we thought that there was an agreement with this person but there wasn’t, there may have been an unsigned <a href=\"/articles/does-eo-insurance-protect-against-claims-of-breach-of-contract\" rel=\"noopener\">contract</a>, <span style=\"font-style: italic;\">etc. </span>These things should have been figured out when the lawyer was doing their due diligence earlier but it’s possible that something fell through the cracks.</p>\n<p>Or someone may have just heard something in a movie and feels like something they created in their basement <a href=\"/articles/blurring-the-lines-of-music-infringement-law-three-perspectives-in-one\" rel=\"noopener\">sounds similar</a>. There’s a variety of different possible claims that someone might make and the film producer should contact their lawyer immediately. Be upfront about the specific circumstances. Does the producer have a relationship with this person? Tell the lawyer everything and the lawyer will review it to determine if the demand is reasonable or not and what we’re collectively going to do about it.</p>\n<p style=\"text-align: right;\"><strong><em>Byron Pascoe</em></strong><em> is an entertainment lawyer and partner at Edwards Creative Law</em></p>\n<p>&nbsp;</p>\n<p><span style=\"font-weight: bold; font-style: italic;\">Are you a producer in Canada or the US?</span> Get a quote for <a href=\"https://www.frontrowinsurance.com/en/sectors/e-o-insurance\">producer’s E&amp;O insurance here</a>.</p>\n<p>&nbsp;</p>\n<h3>Related:</h3>\n<ul>\n<li><a href=\"/articles/bid/103438/e-o-acquire-proper-permission\" rel=\"noopener\">How can a film producer obtain permission to use content protected by copyright?</a></li>\n<li><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">How much of your production’s format is “copyrightable”?</a></li>\n<li><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\"noopener\">Producer’s E&amp;O clearance procedures</a></li>\n<li><strong>eBook</strong>: <a href=\"/errors-omissions-insurance-101\" rel=\"noopener\">Producer's E&amp;O insurance 101</a></li>\n<li><span style=\"font-weight: bold;\">YouTube</span>: <a href=\"https://www.youtube.com/playlist?list=PLJtqQkUwXbiiN5OPy3Xv2AcutMxzQhKyn\" rel=\"nofollow noopener\">Errors and omissions insurance (E&amp;O) – Byron Pascoe</a></li>\n</ul>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><strong>About</strong>: </span><a href=\"https://edwardslaw.ca/\" rel=\"noopener\" style=\"font-style: italic;\">Edwards Creative Law</a><span style=\"font-style: italic;\"> - Canada's Entertainment Law Boutique™</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\">We’re entertainment lawyers who understand the business of creative industries. We guide creators and business professionals as they navigate the legal complexities of working with others—purchasing, financing, creating, licencing, and protecting creative properties, buying and selling creative services.</span><span style=\"font-style: italic;\"></span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\">We act for clients from across Canada and around the world – working in Canada with Canadians. We advise on and structure their commercial transactions, their employment and independent contractor relationships. We incorporate and administer their corporations. And, if necessary, we resolve their disputes.&nbsp;</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><strong>About</strong>: Front Row Insurance Brokers Inc. is an independent insurance broker that specializes in the entertainment industry – specifically, the film industry. Front Row works hard to provide insurance protection for a very low cost. Should a claim occur, Front Row works diligently with clients and insurers to expedite the payment.</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><span style=\"font-weight: bold;\">Disclaimer</span>: Informational statements regarding insurance coverage are for general description purposes only. These statements do not amend, modify or supplement any insurance policy. Consult the actual policy or your broker for details regarding terms, conditions, coverage, exclusions, products, services and programs which may be available to you. Your eligibility for particular products and services is subject to the final determination of underwriting qualifications and acceptance by the insurance underwriting company providing such products or services. This website does not make any representations that coverage does or does not exist for any particular claim or loss, or type of claim or loss, under any policy. Whether coverage exists or does not exist for any particular claim or loss under any policy depends on the facts and circumstances involved in the claim or loss and all applicable policy wording.</span></p></span>","rss_summary":"<h2>How can a film composer/producer avoid copyright infringement for music used in a film production?</h2>\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px; margin: 0px auto; display: block;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" xml=\"lang\" src=\"https://www.youtube.com/embed/gf6s19C4WRA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen data-service=\"youtube\"></iframe></div>\n</div>\n","rss_body":"<h2>How can a film composer/producer avoid copyright infringement for music used in a film production?</h2>\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px; margin: 0px auto; display: block;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" xml=\"lang\" src=\"https://www.youtube.com/embed/gf6s19C4WRA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen data-service=\"youtube\"></iframe></div>\n</div>\n<!--more-->\n<p><strong><br>Byron Pascoe</strong>: The way to avoid copyright infringement with respect to music in productions is to <em>not infringe someone’s copyright; i.e.,</em> to create original music. It’s as simple as that. There are only so many keys, chords, and options with respect to music, but as a producer, you’ll want to ensure that if you’re hiring someone to create music, that they’re not copying from other people; that they’re creating original work that’s based on some form of skill and judgment, it’s original to them or the people you’re hiring collectively, and it’s not copying other works.</p>\n<p>If a producer receives notice from another lawyer or artist or manager that the music in that person’s production infringes upon another person’s rights, they should contact their lawyer, and the lawyer should quickly thereafter contact the film insurance broker. <a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\"noopener\">The lawyer’s role</a> would be to review the situation, see if it’s frivolous or legitimate<span style=\"font-style: italic;\">; e.g.,</span> it may be that there was a creative collaborator and we thought that there was an agreement with this person but there wasn’t, there may have been an unsigned <a href=\"/articles/does-eo-insurance-protect-against-claims-of-breach-of-contract\" rel=\"noopener\">contract</a>, <span style=\"font-style: italic;\">etc. </span>These things should have been figured out when the lawyer was doing their due diligence earlier but it’s possible that something fell through the cracks.</p>\n<p>Or someone may have just heard something in a movie and feels like something they created in their basement <a href=\"/articles/blurring-the-lines-of-music-infringement-law-three-perspectives-in-one\" rel=\"noopener\">sounds similar</a>. There’s a variety of different possible claims that someone might make and the film producer should contact their lawyer immediately. Be upfront about the specific circumstances. Does the producer have a relationship with this person? Tell the lawyer everything and the lawyer will review it to determine if the demand is reasonable or not and what we’re collectively going to do about it.</p>\n<p style=\"text-align: right;\"><strong><em>Byron Pascoe</em></strong><em> is an entertainment lawyer and partner at Edwards Creative Law</em></p>\n<p>&nbsp;</p>\n<p><span style=\"font-weight: bold; font-style: italic;\">Are you a producer in Canada or the US?</span> Get a quote for <a href=\"https://www.frontrowinsurance.com/en/sectors/e-o-insurance\">producer’s E&amp;O insurance here</a>.</p>\n<p>&nbsp;</p>\n<h3>Related:</h3>\n<ul>\n<li><a href=\"/articles/bid/103438/e-o-acquire-proper-permission\" rel=\"noopener\">How can a film producer obtain permission to use content protected by copyright?</a></li>\n<li><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">How much of your production’s format is “copyrightable”?</a></li>\n<li><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\"noopener\">Producer’s E&amp;O clearance procedures</a></li>\n<li><strong>eBook</strong>: <a href=\"/errors-omissions-insurance-101\" rel=\"noopener\">Producer's E&amp;O insurance 101</a></li>\n<li><span style=\"font-weight: bold;\">YouTube</span>: <a href=\"https://www.youtube.com/playlist?list=PLJtqQkUwXbiiN5OPy3Xv2AcutMxzQhKyn\" rel=\"nofollow noopener\">Errors and omissions insurance (E&amp;O) – Byron Pascoe</a></li>\n</ul>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><strong>About</strong>: </span><a href=\"https://edwardslaw.ca/\" rel=\"noopener\" style=\"font-style: italic;\">Edwards Creative Law</a><span style=\"font-style: italic;\"> - Canada's Entertainment Law Boutique™</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\">We’re entertainment lawyers who understand the business of creative industries. We guide creators and business professionals as they navigate the legal complexities of working with others—purchasing, financing, creating, licencing, and protecting creative properties, buying and selling creative services.</span><span style=\"font-style: italic;\"></span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\">We act for clients from across Canada and around the world – working in Canada with Canadians. We advise on and structure their commercial transactions, their employment and independent contractor relationships. We incorporate and administer their corporations. And, if necessary, we resolve their disputes.&nbsp;</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><strong>About</strong>: Front Row Insurance Brokers Inc. is an independent insurance broker that specializes in the entertainment industry – specifically, the film industry. Front Row works hard to provide insurance protection for a very low cost. Should a claim occur, Front Row works diligently with clients and insurers to expedite the payment.</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><span style=\"font-weight: bold;\">Disclaimer</span>: Informational statements regarding insurance coverage are for general description purposes only. These statements do not amend, modify or supplement any insurance policy. Consult the actual policy or your broker for details regarding terms, conditions, coverage, exclusions, products, services and programs which may be available to you. Your eligibility for particular products and services is subject to the final determination of underwriting qualifications and acceptance by the insurance underwriting company providing such products or services. This website does not make any representations that coverage does or does not exist for any particular claim or loss, or type of claim or loss, under any policy. Whether coverage exists or does not exist for any particular claim or loss under any policy depends on the facts and circumstances involved in the claim or loss and all applicable policy wording.</span></p>","tag_ids":[949708814,949708924],"topic_ids":[949708814,949708924],"blog_post_schedule_task_uid":null,"blog_publish_to_social_media_task":"DONE","blog_publish_instant_email_task_uid":"DONE","blog_publish_instant_email_campaign_id":null,"blog_publish_instant_email_retry_count":null,"keywords":[],"published_at":1719331378697,"meta_description":"Byron Pascoe: The way to avoid copyright infringement with respect to music in productions is to not infringe someone’s copyright; i.e., to create...","meta_keywords":null,"layout_sections":{},"past_mab_experiment_ids":[],"deleted_by":null,"featured_image_alt_text":"Copyright infringement in movie music","enable_layout_stylesheets":null,"tweet":null,"tweet_at":null,"campaign_name":null,"campaign_utm":null,"tweet_immediately":false,"publish_immediately":true,"security_state":"NONE","scheduled_update_date":0,"placement_guids":[],"property_for_dynamic_page_title":null,"property_for_dynamic_page_slug":null,"property_for_dynamic_page_meta_description":null,"property_for_dynamic_page_featured_image":null,"property_for_dynamic_page_canonical_url":null,"preview_image_src":null,"legacy_blog_tabid":null,"legacy_post_guid":null,"performable_variation_letter":null,"style_override_id":null,"has_user_changes":true,"css":{},"css_text":"","unpublished_at":1719331373074,"published_by_id":7915797,"allowed_slug_conflict":false,"ai_features":null,"link_rel_canonical_url":"","page_redirected":false,"page_expiry_enabled":null,"page_expiry_date":null,"page_expiry_redirect_id":null,"page_expiry_redirect_url":null,"deleted_by_id":null,"state_when_deleted":null,"cloned_from":null,"staged_from":null,"personas":[],"compose_body":null,"featured_image":"https://61352.fs1.hubspotusercontent-na1.net/hubfs/61352/images/eando/copyright-shutterstock_1619490172-600x400.jpg","featured_image_width":600,"featured_image_height":400,"publish_timezone_offset":null,"theme_settings_values":null,"head_html":"<!-- START - Generated by ClassySchema.org on Thu, 29 Jun 2023 19:11:55 GMT -->\n<script type=\"application/ld+json\">\n{\n\t\"@context\": \"https://schema.org\",\n\t\"@type\": \"VideoObject\",\n\t\"name\": \"How can a film composer/producer avoid copyright infringement for music used in a film production?\",\n\t\"description\": \"Get a quote for producer's E&O insurance here: https://www.frontrowinsurance.com/en/sectors/e-o-insuranceEdwards Creative Law YouTube: https://www.youtube.co...\",\n\t\"thumbnailUrl\": \"https://i.ytimg.com/vi/gf6s19C4WRA/mqdefault.jpg\",\n\t\"duration\": \"PT2M18S\",\n\t\"contentUrl\": \"https://www.youtube.com/watch?v=gf6s19C4WRA\",\n\t\"embedUrl\": \"https://www.youtube.com/embed/gf6s19C4WRA\",\n\t\"uploadDate\": \"2023-05-29\",\n\t\"potentialAction\": {\n\t\t\"@type\": \"SeekToAction\",\n\t\t\"target\": \"https://youtu.be/gf6s19C4WRA?t={seek_to_second_number}\",\n\t\t\"startOffset-input\": \"required name=seek_to_second_number\"\n\t}\n}\n</script>\n<!-- END - Generated by ClassySchema.org-->","footer_html":null,"attached_stylesheets":[],"enable_domain_stylesheets":null,"include_default_custom_css":null,"header":null,"password":null,"last_edit_session_id":null,"last_edit_update_id":null,"created_by_agent":null},"metaDescription":"Byron Pascoe: The way to avoid copyright infringement with respect to music in productions is to not infringe someone’s copyright; 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height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px; margin: 0px auto; display: block;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" xml=\"lang\" src=\"https://www.youtube.com/embed/gf6s19C4WRA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen data-service=\"youtube\"></iframe></div>\n</div>\n<!--more-->\n<p><strong><br>Byron Pascoe</strong>: The way to avoid copyright infringement with respect to music in productions is to <em>not infringe someone’s copyright; i.e.,</em> to create original music. It’s as simple as that. There are only so many keys, chords, and options with respect to music, but as a producer, you’ll want to ensure that if you’re hiring someone to create music, that they’re not copying from other people; that they’re creating original work that’s based on some form of skill and judgment, it’s original to them or the people you’re hiring collectively, and it’s not copying other works.</p>\n<p>If a producer receives notice from another lawyer or artist or manager that the music in that person’s production infringes upon another person’s rights, they should contact their lawyer, and the lawyer should quickly thereafter contact the film insurance broker. <a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\"noopener\">The lawyer’s role</a> would be to review the situation, see if it’s frivolous or legitimate<span style=\"font-style: italic;\">; e.g.,</span> it may be that there was a creative collaborator and we thought that there was an agreement with this person but there wasn’t, there may have been an unsigned <a href=\"/articles/does-eo-insurance-protect-against-claims-of-breach-of-contract\" rel=\"noopener\">contract</a>, <span style=\"font-style: italic;\">etc. </span>These things should have been figured out when the lawyer was doing their due diligence earlier but it’s possible that something fell through the cracks.</p>\n<p>Or someone may have just heard something in a movie and feels like something they created in their basement <a href=\"/articles/blurring-the-lines-of-music-infringement-law-three-perspectives-in-one\" rel=\"noopener\">sounds similar</a>. There’s a variety of different possible claims that someone might make and the film producer should contact their lawyer immediately. Be upfront about the specific circumstances. Does the producer have a relationship with this person? Tell the lawyer everything and the lawyer will review it to determine if the demand is reasonable or not and what we’re collectively going to do about it.</p>\n<p style=\"text-align: right;\"><strong><em>Byron Pascoe</em></strong><em> is an entertainment lawyer and partner at Edwards Creative Law</em></p>\n<p>&nbsp;</p>\n<p><span style=\"font-weight: bold; font-style: italic;\">Are you a producer in Canada or the US?</span> Get a quote for <a href=\"https://www.frontrowinsurance.com/en/sectors/e-o-insurance\">producer’s E&amp;O insurance here</a>.</p>\n<p>&nbsp;</p>\n<h3>Related:</h3>\n<ul>\n<li><a href=\"/articles/bid/103438/e-o-acquire-proper-permission\" rel=\"noopener\">How can a film producer obtain permission to use content protected by copyright?</a></li>\n<li><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">How much of your production’s format is “copyrightable”?</a></li>\n<li><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\"noopener\">Producer’s E&amp;O clearance procedures</a></li>\n<li><strong>eBook</strong>: <a href=\"/errors-omissions-insurance-101\" rel=\"noopener\">Producer's E&amp;O insurance 101</a></li>\n<li><span style=\"font-weight: bold;\">YouTube</span>: <a href=\"https://www.youtube.com/playlist?list=PLJtqQkUwXbiiN5OPy3Xv2AcutMxzQhKyn\" rel=\"nofollow noopener\">Errors and omissions insurance (E&amp;O) – Byron Pascoe</a></li>\n</ul>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><strong>About</strong>: </span><a href=\"https://edwardslaw.ca/\" rel=\"noopener\" style=\"font-style: italic;\">Edwards Creative Law</a><span style=\"font-style: italic;\"> - Canada's Entertainment Law Boutique™</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\">We’re entertainment lawyers who understand the business of creative industries. We guide creators and business professionals as they navigate the legal complexities of working with others—purchasing, financing, creating, licencing, and protecting creative properties, buying and selling creative services.</span><span style=\"font-style: italic;\"></span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\">We act for clients from across Canada and around the world – working in Canada with Canadians. We advise on and structure their commercial transactions, their employment and independent contractor relationships. We incorporate and administer their corporations. And, if necessary, we resolve their disputes.&nbsp;</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><strong>About</strong>: Front Row Insurance Brokers Inc. is an independent insurance broker that specializes in the entertainment industry – specifically, the film industry. Front Row works hard to provide insurance protection for a very low cost. Should a claim occur, Front Row works diligently with clients and insurers to expedite the payment.</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><span style=\"font-weight: bold;\">Disclaimer</span>: Informational statements regarding insurance coverage are for general description purposes only. These statements do not amend, modify or supplement any insurance policy. Consult the actual policy or your broker for details regarding terms, conditions, coverage, exclusions, products, services and programs which may be available to you. Your eligibility for particular products and services is subject to the final determination of underwriting qualifications and acceptance by the insurance underwriting company providing such products or services. This website does not make any representations that coverage does or does not exist for any particular claim or loss, or type of claim or loss, under any policy. Whether coverage exists or does not exist for any particular claim or loss under any policy depends on the facts and circumstances involved in the claim or loss and all applicable policy wording.</span></p></span>","postBodyRss":"<h2>How can a film composer/producer avoid copyright infringement for music used in a film production?</h2>\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px; margin: 0px auto; display: block;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" xml=\"lang\" src=\"https://www.youtube.com/embed/gf6s19C4WRA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen data-service=\"youtube\"></iframe></div>\n</div>\n<!--more-->\n<p><strong><br>Byron Pascoe</strong>: The way to avoid copyright infringement with respect to music in productions is to <em>not infringe someone’s copyright; i.e.,</em> to create original music. It’s as simple as that. There are only so many keys, chords, and options with respect to music, but as a producer, you’ll want to ensure that if you’re hiring someone to create music, that they’re not copying from other people; that they’re creating original work that’s based on some form of skill and judgment, it’s original to them or the people you’re hiring collectively, and it’s not copying other works.</p>\n<p>If a producer receives notice from another lawyer or artist or manager that the music in that person’s production infringes upon another person’s rights, they should contact their lawyer, and the lawyer should quickly thereafter contact the film insurance broker. <a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\"noopener\">The lawyer’s role</a> would be to review the situation, see if it’s frivolous or legitimate<span style=\"font-style: italic;\">; e.g.,</span> it may be that there was a creative collaborator and we thought that there was an agreement with this person but there wasn’t, there may have been an unsigned <a href=\"/articles/does-eo-insurance-protect-against-claims-of-breach-of-contract\" rel=\"noopener\">contract</a>, <span style=\"font-style: italic;\">etc. </span>These things should have been figured out when the lawyer was doing their due diligence earlier but it’s possible that something fell through the cracks.</p>\n<p>Or someone may have just heard something in a movie and feels like something they created in their basement <a href=\"/articles/blurring-the-lines-of-music-infringement-law-three-perspectives-in-one\" rel=\"noopener\">sounds similar</a>. There’s a variety of different possible claims that someone might make and the film producer should contact their lawyer immediately. Be upfront about the specific circumstances. Does the producer have a relationship with this person? Tell the lawyer everything and the lawyer will review it to determine if the demand is reasonable or not and what we’re collectively going to do about it.</p>\n<p style=\"text-align: right;\"><strong><em>Byron Pascoe</em></strong><em> is an entertainment lawyer and partner at Edwards Creative Law</em></p>\n<p>&nbsp;</p>\n<p><span style=\"font-weight: bold; font-style: italic;\">Are you a producer in Canada or the US?</span> Get a quote for <a href=\"https://www.frontrowinsurance.com/en/sectors/e-o-insurance\">producer’s E&amp;O insurance here</a>.</p>\n<p>&nbsp;</p>\n<h3>Related:</h3>\n<ul>\n<li><a href=\"/articles/bid/103438/e-o-acquire-proper-permission\" rel=\"noopener\">How can a film producer obtain permission to use content protected by copyright?</a></li>\n<li><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">How much of your production’s format is “copyrightable”?</a></li>\n<li><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\"noopener\">Producer’s E&amp;O clearance procedures</a></li>\n<li><strong>eBook</strong>: <a href=\"/errors-omissions-insurance-101\" rel=\"noopener\">Producer's E&amp;O insurance 101</a></li>\n<li><span style=\"font-weight: bold;\">YouTube</span>: <a href=\"https://www.youtube.com/playlist?list=PLJtqQkUwXbiiN5OPy3Xv2AcutMxzQhKyn\" rel=\"nofollow noopener\">Errors and omissions insurance (E&amp;O) – Byron Pascoe</a></li>\n</ul>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><strong>About</strong>: </span><a href=\"https://edwardslaw.ca/\" rel=\"noopener\" style=\"font-style: italic;\">Edwards Creative Law</a><span style=\"font-style: italic;\"> - Canada's Entertainment Law Boutique™</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\">We’re entertainment lawyers who understand the business of creative industries. We guide creators and business professionals as they navigate the legal complexities of working with others—purchasing, financing, creating, licencing, and protecting creative properties, buying and selling creative services.</span><span style=\"font-style: italic;\"></span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\">We act for clients from across Canada and around the world – working in Canada with Canadians. We advise on and structure their commercial transactions, their employment and independent contractor relationships. We incorporate and administer their corporations. And, if necessary, we resolve their disputes.&nbsp;</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><strong>About</strong>: Front Row Insurance Brokers Inc. is an independent insurance broker that specializes in the entertainment industry – specifically, the film industry. Front Row works hard to provide insurance protection for a very low cost. Should a claim occur, Front Row works diligently with clients and insurers to expedite the payment.</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><span style=\"font-weight: bold;\">Disclaimer</span>: Informational statements regarding insurance coverage are for general description purposes only. These statements do not amend, modify or supplement any insurance policy. Consult the actual policy or your broker for details regarding terms, conditions, coverage, exclusions, products, services and programs which may be available to you. Your eligibility for particular products and services is subject to the final determination of underwriting qualifications and acceptance by the insurance underwriting company providing such products or services. This website does not make any representations that coverage does or does not exist for any particular claim or loss, or type of claim or loss, under any policy. Whether coverage exists or does not exist for any particular claim or loss under any policy depends on the facts and circumstances involved in the claim or loss and all applicable policy wording.</span></p>","postEmailContent":"<h2>How can a film composer/producer avoid copyright infringement for music used in a film production?</h2> \n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px; margin: 0px auto; display: block;\"> \n <div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\">\n <iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" xml=\"lang\" src=\"https://www.youtube.com/embed/gf6s19C4WRA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen data-service=\"youtube\"></iframe>\n </div> \n</div>","postFeaturedImageIfEnabled":"https://61352.fs1.hubspotusercontent-na1.net/hubfs/61352/images/eando/copyright-shutterstock_1619490172-600x400.jpg","postListContent":"<span id=\"hs_cos_wrapper_post_body\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_rich_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"rich_text\" ><h2>How can a film composer/producer avoid copyright infringement for music used in a film production?</h2>\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px; margin: 0px auto; display: block;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" xml=\"lang\" src=\"https://www.youtube.com/embed/gf6s19C4WRA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen data-service=\"youtube\"></iframe></div>\n</div>\n<!--more-->\n<p><strong><br>Byron Pascoe</strong>: The way to avoid copyright infringement with respect to music in productions is to <em>not infringe someone’s copyright; i.e.,</em> to create original music. It’s as simple as that. There are only so many keys, chords, and options with respect to music, but as a producer, you’ll want to ensure that if you’re hiring someone to create music, that they’re not copying from other people; that they’re creating original work that’s based on some form of skill and judgment, it’s original to them or the people you’re hiring collectively, and it’s not copying other works.</p>\n<p>If a producer receives notice from another lawyer or artist or manager that the music in that person’s production infringes upon another person’s rights, they should contact their lawyer, and the lawyer should quickly thereafter contact the film insurance broker. <a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\"noopener\">The lawyer’s role</a> would be to review the situation, see if it’s frivolous or legitimate<span style=\"font-style: italic;\">; e.g.,</span> it may be that there was a creative collaborator and we thought that there was an agreement with this person but there wasn’t, there may have been an unsigned <a href=\"/articles/does-eo-insurance-protect-against-claims-of-breach-of-contract\" rel=\"noopener\">contract</a>, <span style=\"font-style: italic;\">etc. </span>These things should have been figured out when the lawyer was doing their due diligence earlier but it’s possible that something fell through the cracks.</p>\n<p>Or someone may have just heard something in a movie and feels like something they created in their basement <a href=\"/articles/blurring-the-lines-of-music-infringement-law-three-perspectives-in-one\" rel=\"noopener\">sounds similar</a>. There’s a variety of different possible claims that someone might make and the film producer should contact their lawyer immediately. Be upfront about the specific circumstances. Does the producer have a relationship with this person? Tell the lawyer everything and the lawyer will review it to determine if the demand is reasonable or not and what we’re collectively going to do about it.</p>\n<p style=\"text-align: right;\"><strong><em>Byron Pascoe</em></strong><em> is an entertainment lawyer and partner at Edwards Creative Law</em></p>\n<p>&nbsp;</p>\n<p><span style=\"font-weight: bold; font-style: italic;\">Are you a producer in Canada or the US?</span> Get a quote for <a href=\"https://www.frontrowinsurance.com/en/sectors/e-o-insurance\">producer’s E&amp;O insurance here</a>.</p>\n<p>&nbsp;</p>\n<h3>Related:</h3>\n<ul>\n<li><a href=\"/articles/bid/103438/e-o-acquire-proper-permission\" rel=\"noopener\">How can a film producer obtain permission to use content protected by copyright?</a></li>\n<li><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">How much of your production’s format is “copyrightable”?</a></li>\n<li><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\"noopener\">Producer’s E&amp;O clearance procedures</a></li>\n<li><strong>eBook</strong>: <a href=\"/errors-omissions-insurance-101\" rel=\"noopener\">Producer's E&amp;O insurance 101</a></li>\n<li><span style=\"font-weight: bold;\">YouTube</span>: <a href=\"https://www.youtube.com/playlist?list=PLJtqQkUwXbiiN5OPy3Xv2AcutMxzQhKyn\" rel=\"nofollow noopener\">Errors and omissions insurance (E&amp;O) – Byron Pascoe</a></li>\n</ul>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><strong>About</strong>: </span><a href=\"https://edwardslaw.ca/\" rel=\"noopener\" style=\"font-style: italic;\">Edwards Creative Law</a><span style=\"font-style: italic;\"> - Canada's Entertainment Law Boutique™</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\">We’re entertainment lawyers who understand the business of creative industries. We guide creators and business professionals as they navigate the legal complexities of working with others—purchasing, financing, creating, licencing, and protecting creative properties, buying and selling creative services.</span><span style=\"font-style: italic;\"></span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\">We act for clients from across Canada and around the world – working in Canada with Canadians. We advise on and structure their commercial transactions, their employment and independent contractor relationships. We incorporate and administer their corporations. And, if necessary, we resolve their disputes.&nbsp;</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><strong>About</strong>: Front Row Insurance Brokers Inc. is an independent insurance broker that specializes in the entertainment industry – specifically, the film industry. Front Row works hard to provide insurance protection for a very low cost. Should a claim occur, Front Row works diligently with clients and insurers to expedite the payment.</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><span style=\"font-weight: bold;\">Disclaimer</span>: Informational statements regarding insurance coverage are for general description purposes only. These statements do not amend, modify or supplement any insurance policy. Consult the actual policy or your broker for details regarding terms, conditions, coverage, exclusions, products, services and programs which may be available to you. Your eligibility for particular products and services is subject to the final determination of underwriting qualifications and acceptance by the insurance underwriting company providing such products or services. This website does not make any representations that coverage does or does not exist for any particular claim or loss, or type of claim or loss, under any policy. Whether coverage exists or does not exist for any particular claim or loss under any policy depends on the facts and circumstances involved in the claim or loss and all applicable policy wording.</span></p></span>","postListSummaryFeaturedImage":"","postRssContent":"<h2>How can a film composer/producer avoid copyright infringement for music used in a film production?</h2> \n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px; margin: 0px auto; display: block;\"> \n <div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\">\n <iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" xml=\"lang\" src=\"https://www.youtube.com/embed/gf6s19C4WRA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen data-service=\"youtube\"></iframe>\n </div> \n</div>","postRssSummaryFeaturedImage":"https://61352.fs1.hubspotusercontent-na1.net/hubfs/61352/images/eando/copyright-shutterstock_1619490172-600x400.jpg","postSummary":"<h2>How can a film composer/producer avoid copyright infringement for music used in a film production?</h2>\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px; margin: 0px auto; display: block;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" xml=\"lang\" src=\"https://www.youtube.com/embed/gf6s19C4WRA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen data-service=\"youtube\"></iframe></div>\n</div>\n","postSummaryRss":"<h2>How can a film composer/producer avoid copyright infringement for music used in a film production?</h2> \n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px; margin: 0px auto; display: block;\"> \n <div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\">\n <iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" xml=\"lang\" src=\"https://www.youtube.com/embed/gf6s19C4WRA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen data-service=\"youtube\"></iframe>\n </div> \n</div>","postTemplate":"prox_frontrow/templates/blog/blog-post.html","previewImageSrc":null,"previewKey":"TXBSFXTZ","previousPostFeaturedImage":"https://61352.fs1.hubspotusercontent-na1.net/hubfs/61352/blog-image-uploads/Byron%20Pascoe/credits-shutterstock_1113095411-forweb600.jpg","previousPostFeaturedImageAltText":"End credits in a movie","previousPostName":"What role do music credits play with regard to film producer's E&O insurance?","previousPostSlug":"articles/what-role-do-credits-play","processingStatus":"PUBLISHED","propertyForDynamicPageCanonicalUrl":null,"propertyForDynamicPageFeaturedImage":null,"propertyForDynamicPageMetaDescription":null,"propertyForDynamicPageSlug":null,"propertyForDynamicPageTitle":null,"publicAccessRules":[],"publicAccessRulesEnabled":false,"publishDate":1719331378000,"publishDateLocalTime":1719331378000,"publishDateLocalized":{"date":1719331378000,"format":"medium","language":"en_US"},"publishImmediately":true,"publishTimezoneOffset":null,"publishedAt":1719331378697,"publishedByEmail":null,"publishedById":7915797,"publishedByName":null,"publishedUrl":"https://www.frontrowinsurance.com/articles/how-can-a-composer-avoid-infringement","resolvedDomain":"www.frontrowinsurance.com","resolvedLanguage":null,"rssBody":"<h2>How can a film composer/producer avoid copyright infringement for music used in a film production?</h2>\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px; margin: 0px auto; display: block;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" xml=\"lang\" src=\"https://www.youtube.com/embed/gf6s19C4WRA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen data-service=\"youtube\"></iframe></div>\n</div>\n<!--more-->\n<p><strong><br>Byron Pascoe</strong>: The way to avoid copyright infringement with respect to music in productions is to <em>not infringe someone’s copyright; i.e.,</em> to create original music. It’s as simple as that. There are only so many keys, chords, and options with respect to music, but as a producer, you’ll want to ensure that if you’re hiring someone to create music, that they’re not copying from other people; that they’re creating original work that’s based on some form of skill and judgment, it’s original to them or the people you’re hiring collectively, and it’s not copying other works.</p>\n<p>If a producer receives notice from another lawyer or artist or manager that the music in that person’s production infringes upon another person’s rights, they should contact their lawyer, and the lawyer should quickly thereafter contact the film insurance broker. <a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\"noopener\">The lawyer’s role</a> would be to review the situation, see if it’s frivolous or legitimate<span style=\"font-style: italic;\">; e.g.,</span> it may be that there was a creative collaborator and we thought that there was an agreement with this person but there wasn’t, there may have been an unsigned <a href=\"/articles/does-eo-insurance-protect-against-claims-of-breach-of-contract\" rel=\"noopener\">contract</a>, <span style=\"font-style: italic;\">etc. </span>These things should have been figured out when the lawyer was doing their due diligence earlier but it’s possible that something fell through the cracks.</p>\n<p>Or someone may have just heard something in a movie and feels like something they created in their basement <a href=\"/articles/blurring-the-lines-of-music-infringement-law-three-perspectives-in-one\" rel=\"noopener\">sounds similar</a>. There’s a variety of different possible claims that someone might make and the film producer should contact their lawyer immediately. Be upfront about the specific circumstances. Does the producer have a relationship with this person? Tell the lawyer everything and the lawyer will review it to determine if the demand is reasonable or not and what we’re collectively going to do about it.</p>\n<p style=\"text-align: right;\"><strong><em>Byron Pascoe</em></strong><em> is an entertainment lawyer and partner at Edwards Creative Law</em></p>\n<p>&nbsp;</p>\n<p><span style=\"font-weight: bold; font-style: italic;\">Are you a producer in Canada or the US?</span> Get a quote for <a href=\"https://www.frontrowinsurance.com/en/sectors/e-o-insurance\">producer’s E&amp;O insurance here</a>.</p>\n<p>&nbsp;</p>\n<h3>Related:</h3>\n<ul>\n<li><a href=\"/articles/bid/103438/e-o-acquire-proper-permission\" rel=\"noopener\">How can a film producer obtain permission to use content protected by copyright?</a></li>\n<li><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">How much of your production’s format is “copyrightable”?</a></li>\n<li><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\"noopener\">Producer’s E&amp;O clearance procedures</a></li>\n<li><strong>eBook</strong>: <a href=\"/errors-omissions-insurance-101\" rel=\"noopener\">Producer's E&amp;O insurance 101</a></li>\n<li><span style=\"font-weight: bold;\">YouTube</span>: <a href=\"https://www.youtube.com/playlist?list=PLJtqQkUwXbiiN5OPy3Xv2AcutMxzQhKyn\" rel=\"nofollow noopener\">Errors and omissions insurance (E&amp;O) – Byron Pascoe</a></li>\n</ul>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><strong>About</strong>: </span><a href=\"https://edwardslaw.ca/\" rel=\"noopener\" style=\"font-style: italic;\">Edwards Creative Law</a><span style=\"font-style: italic;\"> - Canada's Entertainment Law Boutique™</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\">We’re entertainment lawyers who understand the business of creative industries. We guide creators and business professionals as they navigate the legal complexities of working with others—purchasing, financing, creating, licencing, and protecting creative properties, buying and selling creative services.</span><span style=\"font-style: italic;\"></span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\">We act for clients from across Canada and around the world – working in Canada with Canadians. We advise on and structure their commercial transactions, their employment and independent contractor relationships. We incorporate and administer their corporations. And, if necessary, we resolve their disputes.&nbsp;</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><strong>About</strong>: Front Row Insurance Brokers Inc. is an independent insurance broker that specializes in the entertainment industry – specifically, the film industry. Front Row works hard to provide insurance protection for a very low cost. Should a claim occur, Front Row works diligently with clients and insurers to expedite the payment.</span></p>\n<p style=\"font-size: 14px;\"><span style=\"font-style: italic;\"><span style=\"font-weight: bold;\">Disclaimer</span>: Informational statements regarding insurance coverage are for general description purposes only. These statements do not amend, modify or supplement any insurance policy. Consult the actual policy or your broker for details regarding terms, conditions, coverage, exclusions, products, services and programs which may be available to you. Your eligibility for particular products and services is subject to the final determination of underwriting qualifications and acceptance by the insurance underwriting company providing such products or services. This website does not make any representations that coverage does or does not exist for any particular claim or loss, or type of claim or loss, under any policy. Whether coverage exists or does not exist for any particular claim or loss under any policy depends on the facts and circumstances involved in the claim or loss and all applicable policy wording.</span></p>","rssSummary":"<h2>How can a film composer/producer avoid copyright infringement for music used in a film production?</h2>\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px; margin: 0px auto; display: block;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" 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How can a film composer or film producer avoid copyright infringement for music?

Copyright infringement in movie music

How can a film composer/producer avoid copyright infringement for music used in a film production?


Byron Pascoe
: The way to avoid copyright infringement with respect to music in productions is to not infringe someone’s copyright; i.e., to create original music. It’s as simple as that. There are only so many keys, chords, and options with respect to music, but as a producer, you’ll want to ensure that if you’re hiring someone to create music, that they’re not copying from other people; that they’re creating original work that’s based on some form of skill and judgment, it’s original to them or the people you’re hiring collectively, and it’s not copying other works.

If a producer receives notice from another lawyer or artist or manager that the music in that person’s production infringes upon another person’s rights, they should contact their lawyer, and the lawyer should quickly thereafter contact the film insurance broker. The lawyer’s role would be to review the situation, see if it’s frivolous or legitimate; e.g., it may be that there was a creative collaborator and we thought that there was an agreement with this person but there wasn’t, there may have been an unsigned contract, etc. These things should have been figured out when the lawyer was doing their due diligence earlier but it’s possible that something fell through the cracks.

Or someone may have just heard something in a movie and feels like something they created in their basement sounds similar. There’s a variety of different possible claims that someone might make and the film producer should contact their lawyer immediately. Be upfront about the specific circumstances. Does the producer have a relationship with this person? Tell the lawyer everything and the lawyer will review it to determine if the demand is reasonable or not and what we’re collectively going to do about it.

Byron Pascoe is an entertainment lawyer and partner at Edwards Creative Law

 

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About: Edwards Creative Law - Canada's Entertainment Law Boutique™

We’re entertainment lawyers who understand the business of creative industries. We guide creators and business professionals as they navigate the legal complexities of working with others—purchasing, financing, creating, licencing, and protecting creative properties, buying and selling creative services.

We act for clients from across Canada and around the world – working in Canada with Canadians. We advise on and structure their commercial transactions, their employment and independent contractor relationships. We incorporate and administer their corporations. And, if necessary, we resolve their disputes. 

About: Front Row Insurance Brokers Inc. is an independent insurance broker that specializes in the entertainment industry – specifically, the film industry. Front Row works hard to provide insurance protection for a very low cost. Should a claim occur, Front Row works diligently with clients and insurers to expedite the payment.

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