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Here are three points that came up during our discussion:</p>\n","post_body":"<span id=\"hs_cos_wrapper_post_body\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_rich_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"rich_text\" ><p>Last August, at the CITT (Canadian Institute for Theatre Technology) conference in Ottawa, we talked about health and safety in venues used for <a href=\"/en/music-tour-liability-insurance\" rel=\"noopener\">music tours</a> and events. Here are three points that came up during our discussion:</p>\n<!--more-->\n<h2><strong><em>Preparation FOR TOURING</em></strong></h2>\n<ul>\n<li>Identify who has <strong>overall authority</strong> for H &amp; S for each event. Depending on the contractual agreement, this could be either the venue or the promoter. Refer to definitions in local legislation for roles such as Employer, Owner, Constructor, Prime Contractor or Principal Contractor.</li>\n<li>Discuss H &amp; S requirements during the early stage of <strong>event planning</strong> and include them in a contract rider.</li>\n<li>Remember,&nbsp;touring shows encounter <strong>different requirements</strong> around the world<strong>,</strong> ranging from non-existent to very strict. Help them understand what is required for your jurisdiction and venue.</li>\n</ul>\n<h2><strong><em>Communication ON TOUR</em></strong></h2>\n<ul>\n<li>The person arranging the booking may have limited ties to the show on site and may not pass on info. Talk about H &amp; S when you <strong>advance</strong> the show closer to its arrival.</li>\n<li><strong>Communicate</strong> H &amp; S info through venue technical specifications, promoter guides, advance sheets and info attached to the contract, as well as posted reminders and signage at the venue.</li>\n<li>When the show arrives at the venue, <strong>review</strong>&nbsp;H &amp; S info with the tour manager.</li>\n</ul>\n<h2><strong><em>Enforcement AT EVENT</em></strong></h2>\n<ul>\n<li>You’ve done your planning and communicated H &amp; S requirements. What do you do when you encounter resistance?</li>\n<li>The person with overall authority for H &amp; S for the event must enforce the requirements.</li>\n<li>Supervisors must&nbsp;respond as soon as an issue arises.</li>\n<li>This may be as simple as a reminder to put on a hard hat, or as serious as stopping the work until it is made safe or sending a worker home.&nbsp;</li>\n</ul>\n<h3><strong><em>And the good news...</em></strong></h3>\n<ul>\n<li>Local crews are generally on board with requirements such as hard hats, safety footwear and fall protection. As more venues require them, road crews are getting used to these expectations.</li>\n<li>Risk assessment is becoming more common.</li>\n<li>Attitudes towards H &amp; S are improving.</li>\n</ul>\n<p>Venues and tours need to continue to work together to protect their people and events.</p>\n<p><strong>Janet Sellery <br><span style=\"font-size: 13px;\">Email: <a href=\"mailto:janet@selleryhealthandsafety.com\" rel=\"nofollow noopener\">janet@selleryhealthandsafety.com</a></span></strong></p></span>","rss_summary":"<p>Last August, at the CITT (Canadian Institute for Theatre Technology) conference in Ottawa, we talked about health and safety in venues used for <a href=\"/en/music-tour-liability-insurance\" rel=\"noopener\">music tours</a> and events. Here are three points that came up during our discussion:</p>\n","rss_body":"<p>Last August, at the CITT (Canadian Institute for Theatre Technology) conference in Ottawa, we talked about health and safety in venues used for <a href=\"/en/music-tour-liability-insurance\" rel=\"noopener\">music tours</a> and events. Here are three points that came up during our discussion:</p>\n<!--more-->\n<h2><strong><em>Preparation FOR TOURING</em></strong></h2>\n<ul>\n<li>Identify who has <strong>overall authority</strong> for H &amp; S for each event. Depending on the contractual agreement, this could be either the venue or the promoter. Refer to definitions in local legislation for roles such as Employer, Owner, Constructor, Prime Contractor or Principal Contractor.</li>\n<li>Discuss H &amp; S requirements during the early stage of <strong>event planning</strong> and include them in a contract rider.</li>\n<li>Remember,&nbsp;touring shows encounter <strong>different requirements</strong> around the world<strong>,</strong> ranging from non-existent to very strict. Help them understand what is required for your jurisdiction and venue.</li>\n</ul>\n<h2><strong><em>Communication ON TOUR</em></strong></h2>\n<ul>\n<li>The person arranging the booking may have limited ties to the show on site and may not pass on info. Talk about H &amp; S when you <strong>advance</strong> the show closer to its arrival.</li>\n<li><strong>Communicate</strong> H &amp; S info through venue technical specifications, promoter guides, advance sheets and info attached to the contract, as well as posted reminders and signage at the venue.</li>\n<li>When the show arrives at the venue, <strong>review</strong>&nbsp;H &amp; S info with the tour manager.</li>\n</ul>\n<h2><strong><em>Enforcement AT EVENT</em></strong></h2>\n<ul>\n<li>You’ve done your planning and communicated H &amp; S requirements. What do you do when you encounter resistance?</li>\n<li>The person with overall authority for H &amp; S for the event must enforce the requirements.</li>\n<li>Supervisors must&nbsp;respond as soon as an issue arises.</li>\n<li>This may be as simple as a reminder to put on a hard hat, or as serious as stopping the work until it is made safe or sending a worker home.&nbsp;</li>\n</ul>\n<h3><strong><em>And the good news...</em></strong></h3>\n<ul>\n<li>Local crews are generally on board with requirements such as hard hats, safety footwear and fall protection. 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Here are three points that came up during our discussion:</p>\n<!--more-->\n<h2><strong><em>Preparation FOR TOURING</em></strong></h2>\n<ul>\n<li>Identify who has <strong>overall authority</strong> for H &amp; S for each event. Depending on the contractual agreement, this could be either the venue or the promoter. Refer to definitions in local legislation for roles such as Employer, Owner, Constructor, Prime Contractor or Principal Contractor.</li>\n<li>Discuss H &amp; S requirements during the early stage of <strong>event planning</strong> and include them in a contract rider.</li>\n<li>Remember,&nbsp;touring shows encounter <strong>different requirements</strong> around the world<strong>,</strong> ranging from non-existent to very strict. Help them understand what is required for your jurisdiction and venue.</li>\n</ul>\n<h2><strong><em>Communication ON TOUR</em></strong></h2>\n<ul>\n<li>The person arranging the booking may have limited ties to the show on site and may not pass on info. Talk about H &amp; S when you <strong>advance</strong> the show closer to its arrival.</li>\n<li><strong>Communicate</strong> H &amp; S info through venue technical specifications, promoter guides, advance sheets and info attached to the contract, as well as posted reminders and signage at the venue.</li>\n<li>When the show arrives at the venue, <strong>review</strong>&nbsp;H &amp; S info with the tour manager.</li>\n</ul>\n<h2><strong><em>Enforcement AT EVENT</em></strong></h2>\n<ul>\n<li>You’ve done your planning and communicated H &amp; S requirements. What do you do when you encounter resistance?</li>\n<li>The person with overall authority for H &amp; S for the event must enforce the requirements.</li>\n<li>Supervisors must&nbsp;respond as soon as an issue arises.</li>\n<li>This may be as simple as a reminder to put on a hard hat, or as serious as stopping the work until it is made safe or sending a worker home.&nbsp;</li>\n</ul>\n<h3><strong><em>And the good news...</em></strong></h3>\n<ul>\n<li>Local crews are generally on board with requirements such as hard hats, safety footwear and fall protection. As more venues require them, road crews are getting used to these expectations.</li>\n<li>Risk assessment is becoming more common.</li>\n<li>Attitudes towards H &amp; S are improving.</li>\n</ul>\n<p>Venues and tours need to continue to work together to protect their people and events.</p>\n<p><strong>Janet Sellery <br><span style=\"font-size: 13px;\">Email: <a href=\"mailto:janet@selleryhealthandsafety.com\" rel=\"nofollow noopener\">janet@selleryhealthandsafety.com</a></span></strong></p></span>","postBodyRss":"<p>Last August, at the CITT (Canadian Institute for Theatre Technology) conference in Ottawa, we talked about health and safety in venues used for <a href=\"/en/music-tour-liability-insurance\" rel=\"noopener\">music tours</a> and events. Here are three points that came up during our discussion:</p>\n<!--more-->\n<h2><strong><em>Preparation FOR TOURING</em></strong></h2>\n<ul>\n<li>Identify who has <strong>overall authority</strong> for H &amp; S for each event. Depending on the contractual agreement, this could be either the venue or the promoter. Refer to definitions in local legislation for roles such as Employer, Owner, Constructor, Prime Contractor or Principal Contractor.</li>\n<li>Discuss H &amp; S requirements during the early stage of <strong>event planning</strong> and include them in a contract rider.</li>\n<li>Remember,&nbsp;touring shows encounter <strong>different requirements</strong> around the world<strong>,</strong> ranging from non-existent to very strict. Help them understand what is required for your jurisdiction and venue.</li>\n</ul>\n<h2><strong><em>Communication ON TOUR</em></strong></h2>\n<ul>\n<li>The person arranging the booking may have limited ties to the show on site and may not pass on info. Talk about H &amp; S when you <strong>advance</strong> the show closer to its arrival.</li>\n<li><strong>Communicate</strong> H &amp; S info through venue technical specifications, promoter guides, advance sheets and info attached to the contract, as well as posted reminders and signage at the venue.</li>\n<li>When the show arrives at the venue, <strong>review</strong>&nbsp;H &amp; S info with the tour manager.</li>\n</ul>\n<h2><strong><em>Enforcement AT EVENT</em></strong></h2>\n<ul>\n<li>You’ve done your planning and communicated H &amp; S requirements. What do you do when you encounter resistance?</li>\n<li>The person with overall authority for H &amp; S for the event must enforce the requirements.</li>\n<li>Supervisors must&nbsp;respond as soon as an issue arises.</li>\n<li>This may be as simple as a reminder to put on a hard hat, or as serious as stopping the work until it is made safe or sending a worker home.&nbsp;</li>\n</ul>\n<h3><strong><em>And the good news...</em></strong></h3>\n<ul>\n<li>Local crews are generally on board with requirements such as hard hats, safety footwear and fall protection. As more venues require them, road crews are getting used to these expectations.</li>\n<li>Risk assessment is becoming more common.</li>\n<li>Attitudes towards H &amp; S are improving.</li>\n</ul>\n<p>Venues and tours need to continue to work together to protect their people and events.</p>\n<p><strong>Janet Sellery <br><span style=\"font-size: 13px;\">Email: <a href=\"mailto:janet@selleryhealthandsafety.com\" rel=\"nofollow noopener\">janet@selleryhealthandsafety.com</a></span></strong></p>","postEmailContent":"<p>Last August, at the CITT (Canadian Institute for Theatre Technology) conference in Ottawa, we talked about health and safety in venues used for <a href=\"/en/music-tour-liability-insurance\" rel=\"noopener\">music tours</a> and events. Here are three points that came up during our discussion:</p>","postFeaturedImageIfEnabled":"https://61352.fs1.hubspotusercontent-na1.net/hub/61352/file-1307758306.jpg","postListContent":"<span id=\"hs_cos_wrapper_post_body\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_rich_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"rich_text\" ><p>Last August, at the CITT (Canadian Institute for Theatre Technology) conference in Ottawa, we talked about health and safety in venues used for <a href=\"/en/music-tour-liability-insurance\" rel=\"noopener\">music tours</a> and events. Here are three points that came up during our discussion:</p>\n<!--more-->\n<h2><strong><em>Preparation FOR TOURING</em></strong></h2>\n<ul>\n<li>Identify who has <strong>overall authority</strong> for H &amp; S for each event. Depending on the contractual agreement, this could be either the venue or the promoter. Refer to definitions in local legislation for roles such as Employer, Owner, Constructor, Prime Contractor or Principal Contractor.</li>\n<li>Discuss H &amp; S requirements during the early stage of <strong>event planning</strong> and include them in a contract rider.</li>\n<li>Remember,&nbsp;touring shows encounter <strong>different requirements</strong> around the world<strong>,</strong> ranging from non-existent to very strict. Help them understand what is required for your jurisdiction and venue.</li>\n</ul>\n<h2><strong><em>Communication ON TOUR</em></strong></h2>\n<ul>\n<li>The person arranging the booking may have limited ties to the show on site and may not pass on info. Talk about H &amp; S when you <strong>advance</strong> the show closer to its arrival.</li>\n<li><strong>Communicate</strong> H &amp; S info through venue technical specifications, promoter guides, advance sheets and info attached to the contract, as well as posted reminders and signage at the venue.</li>\n<li>When the show arrives at the venue, <strong>review</strong>&nbsp;H &amp; S info with the tour manager.</li>\n</ul>\n<h2><strong><em>Enforcement AT EVENT</em></strong></h2>\n<ul>\n<li>You’ve done your planning and communicated H &amp; S requirements. What do you do when you encounter resistance?</li>\n<li>The person with overall authority for H &amp; S for the event must enforce the requirements.</li>\n<li>Supervisors must&nbsp;respond as soon as an issue arises.</li>\n<li>This may be as simple as a reminder to put on a hard hat, or as serious as stopping the work until it is made safe or sending a worker home.&nbsp;</li>\n</ul>\n<h3><strong><em>And the good news...</em></strong></h3>\n<ul>\n<li>Local crews are generally on board with requirements such as hard hats, safety footwear and fall protection. As more venues require them, road crews are getting used to these expectations.</li>\n<li>Risk assessment is becoming more common.</li>\n<li>Attitudes towards H &amp; S are improving.</li>\n</ul>\n<p>Venues and tours need to continue to work together to protect their people and events.</p>\n<p><strong>Janet Sellery <br><span style=\"font-size: 13px;\">Email: <a href=\"mailto:janet@selleryhealthandsafety.com\" rel=\"nofollow noopener\">janet@selleryhealthandsafety.com</a></span></strong></p></span>","postListSummaryFeaturedImage":"","postRssContent":"<p>Last August, at the CITT (Canadian Institute for Theatre Technology) conference in Ottawa, we talked about health and safety in venues used for <a href=\"/en/music-tour-liability-insurance\" rel=\"noopener\">music tours</a> and events. 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Help them understand what is required for your jurisdiction and venue.</li>\n</ul>\n<h2><strong><em>Communication ON TOUR</em></strong></h2>\n<ul>\n<li>The person arranging the booking may have limited ties to the show on site and may not pass on info. Talk about H &amp; S when you <strong>advance</strong> the show closer to its arrival.</li>\n<li><strong>Communicate</strong> H &amp; S info through venue technical specifications, promoter guides, advance sheets and info attached to the contract, as well as posted reminders and signage at the venue.</li>\n<li>When the show arrives at the venue, <strong>review</strong>&nbsp;H &amp; S info with the tour manager.</li>\n</ul>\n<h2><strong><em>Enforcement AT EVENT</em></strong></h2>\n<ul>\n<li>You’ve done your planning and communicated H &amp; S requirements. 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How Can Music Venues And Tours Work Together Safely?

Music Venues And Tours

Last August, at the CITT (Canadian Institute for Theatre Technology) conference in Ottawa, we talked about health and safety in venues used for music tours and events. Here are three points that came up during our discussion:

Preparation FOR TOURING

  • Identify who has overall authority for H & S for each event. Depending on the contractual agreement, this could be either the venue or the promoter. Refer to definitions in local legislation for roles such as Employer, Owner, Constructor, Prime Contractor or Principal Contractor.
  • Discuss H & S requirements during the early stage of event planning and include them in a contract rider.
  • Remember, touring shows encounter different requirements around the world, ranging from non-existent to very strict. Help them understand what is required for your jurisdiction and venue.

Communication ON TOUR

  • The person arranging the booking may have limited ties to the show on site and may not pass on info. Talk about H & S when you advance the show closer to its arrival.
  • Communicate H & S info through venue technical specifications, promoter guides, advance sheets and info attached to the contract, as well as posted reminders and signage at the venue.
  • When the show arrives at the venue, review H & S info with the tour manager.

Enforcement AT EVENT

  • You’ve done your planning and communicated H & S requirements. What do you do when you encounter resistance?
  • The person with overall authority for H & S for the event must enforce the requirements.
  • Supervisors must respond as soon as an issue arises.
  • This may be as simple as a reminder to put on a hard hat, or as serious as stopping the work until it is made safe or sending a worker home. 

And the good news...

  • Local crews are generally on board with requirements such as hard hats, safety footwear and fall protection. As more venues require them, road crews are getting used to these expectations.
  • Risk assessment is becoming more common.
  • Attitudes towards H & S are improving.

Venues and tours need to continue to work together to protect their people and events.

Janet Sellery
Email: janet@selleryhealthandsafety.com

Download Free eBook: Theatre Production Safety Best Practices for Canadian Theatre Professionals

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